{"product_id":"the-aesthetics-of-disappearance-9781584350743","title":"The Aesthetics of Disappearance","description":"\u003cb\u003eVirilio introduces his understanding of picnolepsy--the epileptic state of consciousness produced by speed.\u003c\/b\u003e\u003cp\u003eVirilio himself referred to his 1980 work \u003ci\u003eThe Aesthetics of Disappearance\u003c\/i\u003e as a juncture in his thinking, one at which he brought his focus onto the logistics of perception--a logistics he would soon come to refer to as the vision machine. If Speed and Politics established Virilio as the inaugural--and still consummate--theorist of dromology (the theory of speed and the society it defines), \u003ci\u003eThe Aesthetics of Disappearance\u003c\/i\u003e introduced his understanding of picnolepsy--the epileptic state of consciousness produced by speed, or rather, the consciousness invented by the subject through its very absence: the gaps, glitches, and speed bumps lacing through and defining it. Speed and Politics defined the society of speed; \u003ci\u003eThe Aesthetics of Disappearance\u003c\/i\u003e defines what it feels like to live in the society of speed. I always write with images, Virilio has claimed, and this statement is nowhere better illustrated than with \u003ci\u003eThe Aesthetics of Disappearance\u003c\/i\u003e. Moving from the movie theater to the freeway, and from Craig Breedlove's attainment of terrifying speed in a rocket-power car to the immobility of Howard Hughes in his dark room atop the Desert Inn, Virilio himself jump cuts from such disparate reference points as Fred Astaire, Franz Liszt, and Adolf Loos to Dostoyevsky, Paul Morand, and Aldous Huxley. In its extension of the aesthetics of disappearance to war, film, and politics, this book paved the way to Virilio's follow-up: the celebrated study, War and Cinema.This edition features a new introduction by Jonathan Crary, one of the leading theorists of modern visual culture. Foreign Agents seriesDistributed for Semiotext(e)\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=AUTH-1697839\"\u003ePaul Virilio\u003c\/a\u003e\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Semiotext(e)\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 05\/01\/2009\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 127\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.44lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.70h x 6.00w x 0.50d\u003cbr\u003e\u003cb\u003eISBN13:\u003c\/b\u003e 9781584350743\u003cbr\u003e\u003cb\u003eISBN10:\u003c\/b\u003e 1584350741\u003cbr\u003e\u003cb\u003eBISAC Categories:\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=CAT-PHI\"\u003ePhilosophy\u003c\/a\u003e | \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=BISAC-PHI001000\"\u003eAesthetics\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=CAT-PHI\"\u003ePhilosophy\u003c\/a\u003e | \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=BISAC-PHI026000\"\u003eCriticism\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003ePaul Virilio was born in 1932 and has published a wide range of books, essays, and interviews grappling with the question of speed and technology, including \u003ci\u003eSpeed and Politics\u003c\/i\u003e, \u003ci\u003e The Aesthetics of Disappearance\u003c\/i\u003e, and \u003ci\u003eThe Accident of Art, \u003c\/i\u003eall published by Semiotext(e). \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eJonathan Crary is Meyer Schapiro Professor of Modern Art and Theory at Columbia University. A founding editor of Zone Books, he is the author of \u003ci\u003eTechniques of the Observer\u003c\/i\u003e (MIT Press, 1990) and coeditor of \u003ci\u003eIncorporations\u003c\/i\u003e (Zone Books, 1992). He has been the recipient of Guggenheim, Getty, Mellon, and National Endowment for the Arts fellowships and was a member of the Institute for Advanced Study in Princeton.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":42664191099117,"sku":"9781584350743","price":15.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/8097\/6621\/products\/img_3567360c-2b8d-41ac-a767-a101d4d994b8.jpg?v=1649402471","url":"https:\/\/sureshotbooks.com\/es\/products\/the-aesthetics-of-disappearance-9781584350743","provider":"SureShot Books Publishing LLC","version":"1.0","type":"link"}