{"product_id":"animated-film-and-disability-cripping-spectatorship-9780253064509","title":"Animated Film and Disability: Cripping Spectatorship","description":"\u003cp\u003e\u003cb\u003eWhile many live-action films portray disability as a spectacle, \"crip animation\" (a genre of animated films that celebrates disabled people's lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eAnimated Film and Disability\u003c\/i\u003e, Slava Greenberg\u003ci\u003e \u003c\/i\u003eanalyzes over 30 animated works about disabilities, including Rocks in My Pockets, \u003ci\u003e An Eyeful of Sound\u003c\/i\u003e, \u003ci\u003e \u003c\/i\u003eand \u003ci\u003eA Shift in Perception\u003c\/i\u003e. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Greenberg explores physical and sensory accessibility in theaters and suggests new ways to accommodate cinematic screenings.\u003c\/p\u003e\u003cp\u003eOffering an introduction to disability studies and crip theory for film, media, and animation scholars, \u003ci\u003eAnimated Film and Disability\u003c\/i\u003e demonstrates that crip animation has the power to breach the spectator's comfort, evoking awareness of their own bodies and, in certain cases, their social privileges.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=AUTH-15240077\"\u003eSlava Greenberg\u003c\/a\u003e\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Indiana University Press\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 02\/07\/2023\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 222\u003cbr\u003e\u003cb\u003eBinding Type:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.73lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.00h x 6.00w x 0.51d\u003cbr\u003e\u003cb\u003eISBN13:\u003c\/b\u003e 9780253064509\u003cbr\u003e\u003cb\u003eISBN10:\u003c\/b\u003e 0253064503\u003cbr\u003e\u003cb\u003eBISAC Categories:\u003c\/b\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=CAT-SOC\"\u003eSocial Science\u003c\/a\u003e | \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=BISAC-SOC029000\"\u003ePeople with Disabilities\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=CAT-PER\"\u003ePerforming Arts\u003c\/a\u003e | \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=BISAC-PER004030\"\u003eFilm | History \u0026amp; Criticism\u003c\/a\u003e\u003cbr\u003e- \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=CAT-PER\"\u003ePerforming Arts\u003c\/a\u003e | \u003ca href=\"https:\/\/sureshotbooks-com.myshopify.com\/search?type=product%2Carticle%2Cpage\u0026amp;q=BISAC-PER004080\"\u003eFilm | Genres | Animated\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003eAbout the Author\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eSlava Greenberg is a Casden Institute postdoctoral teaching fellow at the University of Southern California's School of Cinematic Arts and Department of Gender and Sexuality Studies. His research explores the potential of mainstream and emerging media forms to offer transformative experiences in reference to disability studies, trans studies, and gender. His articles have appeared in \u003ci\u003eFilm Quarterly\u003c\/i\u003e, \u003ci\u003eTSQ\u003c\/i\u003e, \u003ci\u003eAnimation\u003c\/i\u003e, \u003ci\u003eThe Moving Image\u003c\/i\u003e, \u003ci\u003eJournal of\u003c\/i\u003e \u003ci\u003eFeminist Studies in Religion, Review of Disability Studies\u003c\/i\u003e, and\u003ci\u003e Jewish Film and New Media\u003c\/i\u003e. He has also contributed to anthologies on disability and documentary, accent studies, queer television studies, and new media. He is currently writing a second book focusing on the history and visual culture of gender dysphoria through the lens of trans and crip theories.\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Default Title","offer_id":44456741470445,"sku":"9780253064509","price":46.67,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/8097\/6621\/products\/img_c1411025-2ec1-4707-bbb0-4fa302d9ea40.jpg?v=1700407814","url":"https:\/\/sureshotbooks.com\/products\/animated-film-and-disability-cripping-spectatorship-9780253064509","provider":"SureShot Books Publishing LLC","version":"1.0","type":"link"}