Description
A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"--Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."--Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."--Stephen Heath, Screen
Author: Christian Metz
Publisher: University of Chicago Press
Published: 12/15/1990
Pages: 286
Binding Type: Paperback
Weight: 0.80lbs
Size: 8.10h x 5.39w x 0.71d
ISBN13: 9780226521305
ISBN10: 0226521303
BISAC Categories:
- Performing Arts | Film | History & Criticism
Author: Christian Metz
Publisher: University of Chicago Press
Published: 12/15/1990
Pages: 286
Binding Type: Paperback
Weight: 0.80lbs
Size: 8.10h x 5.39w x 0.71d
ISBN13: 9780226521305
ISBN10: 0226521303
BISAC Categories:
- Performing Arts | Film | History & Criticism

