Description
This book examines the intersection of music and temporality in British literature of the long nineteenth century, arguing the temporal multiplicity of music as the most dynamic way to subvert mimetic bias. Temporally vexed sound spaces rupture the narrative, transgressing the hegemonic structures to which it is subject.
Author: Sarah Cash
Publisher: Lexington Books
Published: 03/31/2023
Pages: 192
Binding Type: Hardcover
Weight: 1.00lbs
Size: 9.00h x 6.00w x 0.56d
ISBN13: 9781666903492
ISBN10: 1666903493
BISAC Categories:
- Literary Criticism | Semiotics & Theory
- Social Science | Feminism & Feminist Theory
- Social Science | Gender Studies
About the Author
Sarah Cash is lecturer in the Department of Writing Studies at the University of Miami.