Description
These questions about the archive concern not only the literary medium. In the 1960s and 1970s Burroughs collaborated with filmmakers, sound technicians, and musicians, who helped re-contextualized his writings in other media. Burroughs Unbound examines these collaborations and explores how such multiple authorship complicates the authority of the archive as a final or complete repository of an author's work. It takes Burroughs seriously as a radical theorist and practitioner who critiqued drug laws, sexual practice, censorship, and what we today call a society of control. More broadly, his work continues to challenge our common assumptions about language, authorship, textual stability, and the archive in its broadest definition.
Author: S. E. Gontarski
Publisher: Bloomsbury Publishing PLC
Published: 12/16/2021
Pages: 456
Binding Type: Hardcover
Weight: 1.69lbs
Size: 9.00h x 6.00w x 1.00d
ISBN13: 9781501362187
ISBN10: 1501362186
BISAC Categories:
- Literary Criticism | American | General
- Literary Criticism | Modern | 20th Century
- Literary Criticism | Semiotics & Theory
About the Author
S. E. Gontarski is Robert O. Lawton Distinguished Professor of English at Florida State University, USA. He is the author or editor of 29 books and, with Paul Ardoin and Laci Mattison, he is series editor of the Bloomsbury series, Understanding Philosophy, Understanding Modernism. The serie editors were also volume editors for the initial books in that series: Understanding Bergson, Understanding Modernism (Bloomsbury, 2013) and the follow-up, Understanding Deleuze, Understanding Modernism (Bloomsbury, 2014). Gontarski's recent books are: Beckett's "Happy Day" A Manuscript Study (2017) and Revisioning Beckett: Samuel Beckett's Decadent Turn (Bloomsbury, 2018).