Dockside Reading: Hydrocolonialism and the Custom House

In Dockside Reading Isabel Hofmeyr traces the relationships among print culture, colonialism, and the ocean through the institution of the British colonial Custom House. During the late nineteenth and early twentieth centuries, dockside customs officials would leaf through publications looking for obscenity, politically objectionable materials, or reprints of British copyrighted works, often dumping these condemned goods into the water. These practices, echoing other colonial imaginaries of the ocean as a space for erasing incriminating evidence of the violence of empire, informed later censorship regimes under apartheid in South Africa. By tracking printed matter from ship to shore, Hofmeyr shows how literary institutions like copyright and censorship were shaped by colonial control of coastal waters. Set in the environmental context of the colonial port city, Dockside Reading explores how imperialism colonizes water. Hofmeyr examines this theme through the concept of hydrocolonialism, which puts together land and sea, empire and environment.

Author: Isabel Hofmeyr
Publisher: Duke University Press
Published: 02/11/2022
Pages: 136
Binding Type: Hardcover
Weight: 0.77lbs
Size: 9.00h x 6.00w x 0.38d
ISBN13: 9781478015123
ISBN10: 1478015128
BISAC Categories:
- Literary Criticism | Semiotics & Theory
- History | Africa | South | Republic of South Africa
- Business & Economics | International | General

About the Author
Isabel Hofmeyr is Professor Emeritus at the University of the Witwatersrand and Global Distinguished Professor at New York University. She is coeditor of Ten Books That Shaped the British Empire: Creating an Imperial Commons, also published by Duke University Press, and author of Gandhi's Printing Press: Experiments in Slow Reading.