Description
2023 Finalist Best Academic Themed Book, College Level - English, International Latino Book Awards
A contemplative exploration of cultural representations of Mexican American fathers in contemporary media.As a young girl growing up in Houston, Texas, in the 1980s, Domino Perez spent her free time either devouring books or watching films--and thinking, always thinking, about the media she consumed. The meaningful connections between these media and how we learn form the basis of Perez's "slow" research approach to race, class, and gender in the borderlands. Part cultural history, part literary criticism, part memoir, Fatherhood in the Borderlands takes an incisive look at the value of creative inquiry while it examines the nuanced portrayal of Mexican American fathers in literature and film.
Perez reveals a shifting tension in the literal and figurative borderlands of popular narratives and shows how form, genre, and subject work to determine the roles Mexican American fathers are allowed to occupy. She also calls our attention to the cultural landscape that has allowed such a racialized representation of Mexican American fathers to continue, unopposed, for so many years. Fatherhood in the Borderlands brings readers right to the intersection of the white cultural mainstream in the United States and Mexican American cultural productions, carefully considering the legibility and illegibility of Brown fathers in contemporary media.
Author: Domino Renee Perez
Publisher: University of Texas Press
Published: 12/06/2022
Pages: 368
Binding Type: Paperback
Weight: 0.55lbs
Size: 8.90h x 6.00w x 0.90d
ISBN13: 9781477326343
ISBN10: 1477326340
BISAC Categories:
- Social Science | Ethnic Studies | American | Hispanic American Studies
- Social Science | Sociology | Marriage & Family
- Literary Criticism | American | General
About the Author
Domino Renee Perez is an associate professor in the department of English and the Center for Mexican American Studies at UT Austin. She is the author of There Was a Woman: La Llorona from Folklore to Popular Culture and coeditor of Race and Cultural Practice in Popular Culture.