Description
When people think about Herman Melville, they often think about experiences of madness, horror, and the sublime. But throughout his life, Melville was deeply and persistently interested in beauty. In this fascinating book, Cody Marrs retraces Melville's engagements with beauty and provides a revisionary account of Melville's philosophy, aesthetics, and literary career. In writings such as Moby-Dick, Timoleon, and Weeds and Wildings, Melville reflects on the nature, origins, and effects of beauty, and the ways in which beauty is inexorably bound up with considerations of religion, science, ecology, art, literature, and metaphysics. Melville's writing indicates that beauty is, ultimately, an experience of non-sovereignty, a felt recognition of the self's interdependence. In a series of fresh readings of Melville's works, ranging from the most to the least canonical, Marrs demonstrates how and why Melville developed this understanding of beauty, and the ways it resonates with recent scholarship on aesthetics, posthumanism, ecocriticism, materialism, and the means and methods of American literary studies. By recentring Melville's treatment of beauty and exploring its philosophical and scholarly implications, Marrs provides a new, evocative perspective on Melville as well as the broader field of American literary studies.
Author: Cody Marrs
Publisher: Oxford University Press, USA
Published: 05/02/2023
Pages: 176
Binding Type: Hardcover
Weight: 0.95lbs
Size: 8.80h x 6.20w x 0.90d
ISBN13: 9780192871725
ISBN10: 0192871722
BISAC Categories:
- Literary Criticism | American | General
- Literary Criticism | Modern | 19th Century
Author: Cody Marrs
Publisher: Oxford University Press, USA
Published: 05/02/2023
Pages: 176
Binding Type: Hardcover
Weight: 0.95lbs
Size: 8.80h x 6.20w x 0.90d
ISBN13: 9780192871725
ISBN10: 0192871722
BISAC Categories:
- Literary Criticism | American | General
- Literary Criticism | Modern | 19th Century