Description
Moroccan film production has increased rapidly since the late 2000s, and Morocco is a thriving service production hub for international film and television. Taking a transnational approach to Moroccan cinema, this book examines diversity in its production models, its barriers to international distribution and success, its key markets and audiences, as well as the consequences of digital disruption upon it.
Author: Will Higbee, Flo Martin, Jamal Bahmad
Publisher: Edinburgh University Press
Published: 05/30/2022
Pages: 288
Binding Type: Paperback
Weight: 0.90lbs
Size: 9.21h x 6.14w x 0.60d
ISBN13: 9781474477949
ISBN10: 1474477941
BISAC Categories:
- Performing Arts | Film | Direction & Production
- Performing Arts | Film | History & Criticism
- Performing Arts | Film | Reference
About the Author
Will Higbee is a Professor of Film Studies at the University of Exeter. He has published widely on cinemas of the Maghreb and their diasporas, as well as questions of national and transnational cinema. He is the author of Post-Beur Cinema (2013) and co-editor of De-Westernizing Film Studies (2012).
Florence Martin is the Van Meter Professor of French Transnational Studies at Goucher College (US). She has published internationally on Maghrebi cinema and women's cinema. Her international publications on Maghrebi and women's cinema include Screens and Veils: Maghrebi Women's Cinema (IUP, 2011) and her co-edition of Les Cinémas du Maghreb et leurs publics (Africultures, 2013).
Dr Jamal Bahmad is Lecturer in the English Department at Mohammed V University at Agdal, Morocco.