Ornamentalism

Focusing on the cultural and philosophic conflation between the "oriental" and the "ornamental," Ornamentalism offers an original and sustained theory about Asiatic femininity in western culture. This study pushes our vocabulary about the woman of color past the usual platitudes about objectification and past the critique of Orientalism in order to formulate a fresher and sharper understanding of the representation, circulation, and ontology of Asiatic femininity. This book alters the foundational terms of racialized femininity by allowing us to conceptualize race and gender without being solely beholden to flesh or skin. Tracing a direct link between the making of Asiatic femininity and a technological history of synthetic personhood in the West from the nineteenth to the twenty-first century, Ornamentalism demonstrates how the construction of modern personhood in the multiple realms of law, culture, and art has been surprisingly indebted to this very marginal figure and places
Asian femininity at the center of an entire epistemology of race.

Drawing from and speaking to the multiple fields of feminism, critical race theory, visual culture, performance studies, legal studies, Modernism, Orientalism, Object Studies and New Materialism, Ornamentalism will leave reader with a greater understanding of what it is to exist as a "person-thing" within the contradictions of American culture.


Author: Anne Anlin Cheng
Publisher: Oxford University Press, USA
Published: 01/18/2019
Pages: 224
Binding Type: Hardcover
Weight: 1.25lbs
Size: 9.30h x 6.40w x 0.90d
ISBN13: 9780190604615
ISBN10: 0190604611
BISAC Categories:
- Social Science | Feminism & Feminist Theory
- Literary Criticism | American | Asian American & Pacific Islander
- Social Science | Ethnic Studies | American | Asian American Studies & Pacific

About the Author

Anne Anlin Cheng is Professor of English and Director of American Studies at Princeton University. She is also affiliated with the University's Program in Gender and Sexuality Studies and Committee on Film Studies. Her most recent book is Second Skin: Josephine Baker & the Modern Surface (OUP 2011).