Our America: The Latino Presence in American Art

Is Latino art an integral part of modern American art? Presenting over one hundred major artworks from the Smithsonian American Art Museum, Our America seeks to recalibrate enduring concepts about American national culture by exploring how one group of artists--those of Latin American descent and heritage--express their relationship to American art, history, and culture.

E. Carmen Ramos addresses the whole issue of the definition of Latino art and how this emerged within the context of the Civil Rights movement of the 1960s as American artists of Latino descent (Mexican American, Puerto Rican, Cuban American, and, more recently, Dominican) began to give a tangible face to their culture and history.

Highlights include an installation altar by Amalia Mesa-Bains, the recycled films of Raphael Monta ez Ortiz, and a 1960 geometric painting by Carmen Herrera. Other notable artists include Olga Albizu, Melesio Mel Casas, Maria Magdalena Campos-Pons, Margarita Cabrera, Enrique Chagoya, Teresita Fern ndez, Ken Gonzales-Day, Luis Jim nez, Ana Mendieta, Pep n Osorio, Sophie Rivera, Freddy Rodr guez, and John M. Valadez, among many others.

Winner of first prize in the Association of Art Museum Curators (AAMC) award for excellence, 2014

Author and curator E. Carmen Ramos is the Smithsonian American Art Museum's curator of Latino art. She has organized numerous shows, including the fifth biennial at El Museo del Barrio in New York City in 2007.

Tom s Ybarra-Frausto, PhD, the grandfather of this subject, and formerly associate director for creativity and culture at the Rockefeller Foundation in New York, has written and published extensively on US/Latino cultural issues.

Accompanies an exhibition with the following venues:
Smithsonian American Art Museum, Washington, DC, October 25, 2013-March 2, 2014
The Patricia and Phillip Frost Art Museum at Florida International University in Miami, FL, March 28, 2014-June 22, 2014
Crocker Art Museum in Sacramento, CA, September 21, 2014-January 11, 2015
Utah Museum of Fine Arts in Salt Lake City, UT, February 6, 2015-May 17, 2015
Arkansas Art Center in Little Rock, AR, October 16, 2015-January 17, 2016
Delaware Museum of Art in Wilmington, DE, March 5, 2016-May 29, 2016

Author: Carmen Ramos
Publisher: Giles
Published: 03/25/2014
Pages: 365
Binding Type: Hardcover
Weight: 5.75lbs
Size: 12.00h x 10.20w x 1.30d
ISBN13: 9781907804441
ISBN10: 1907804447
BISAC Categories:
- Art | American | Hispanic & Latino
- Art | History | Contemporary (1945- )
- Art | Collections, Catalogs, Exhibitions | General

About the Author
E. Carmen Ramos joined the Smithsonian American Art Museum staff as curator of Latino art in October 2010. Ramos is responsible for acquiring artworks for the museum's permanent collection and producing a major exhibition and catalog based on the museum's Latino holdings. Her research interests include modern and contemporary Latino, Latin American, and African American art.

Ramos is organizing Our America: The Latino Presence in American Art, which opens at the museum Oct. 25, 2013. Previous projects include BLACKOUT: A Centennial Commission by Paul Henry Ramirez(2010), a site-specific exhibition at The Newark Museum and Cut, Build and Weld: Process in Works by Chakaia Booker(2010) at the Visual Arts Center of New Jersey in Summit. She co-curated the fifth biennial at El Museo del Barrio in New York City in 2007 and also has organized exhibitions about Mexican popular arts (2007) and works by artists Franco Mondini-Ruiz (2007) and Freddy Rodríguez (2005). Before joining the museum's staff, Ramos was the curator of exhibitions for the Arts Council of Princeton at the Paul Robeson Center for the Arts and assistant curator for cultural engagement at The Newark Museum.