Description
Driven and consumed by art, Philip Guston painted and drew compulsively. This book takes the reader from his early social realist murals and easel paintings of the 1930s and 1940s, to the Abstract Expressionist works of the 1950s and early 1960s, and finally to the powerful new language of figurative painting, which he developed in the late 1960s and 1970s. Drawing on more than thirty years of his own research, the critic and curator, Robert Storr, maps Guston's entire career in one definitive volume, providing a substantial, accessible, and revealing analysis of his work. With more than 850 images, the book illustrates Guston's key works and includes many unpublished paintings and drawings. An extensive chronology, illustrated with photographs, letters, articles, publications, and other ephemera drawn from the artist's archives and other sources, contextualizes Guston's life and provides in-depth coverage of his life at home, his work in the studio, his relationship with fellow artists and his many exhibitions. Guston was able to speak about art with unrivalled passion and fluency. In celebration of this, the book features Guston's own thoughts on his drawings and his great heroes of the Italian Renaissance.
Author: Robert Storr
Publisher: Laurence King
Published: 09/15/2020
Pages: 348
Binding Type: Hardcover
Weight: 7.85lbs
Size: 12.20h x 13.30w x 1.50d
ISBN13: 9781786274168
ISBN10: 1786274167
BISAC Categories:
- Architecture | Individual Architects & Firms | General
- Art | Individual Artists | Monographs
- Biography & Autobiography | General
Author: Robert Storr
Publisher: Laurence King
Published: 09/15/2020
Pages: 348
Binding Type: Hardcover
Weight: 7.85lbs
Size: 12.20h x 13.30w x 1.50d
ISBN13: 9781786274168
ISBN10: 1786274167
BISAC Categories:
- Architecture | Individual Architects & Firms | General
- Art | Individual Artists | Monographs
- Biography & Autobiography | General
About the Author
Robert Storr, art critic, curator, and artist, is the former Dean of Yale School of Art and senior curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York. He has been visual arts director of the Venice Biennale and has researched and written on Philip Guston for over three decades.