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Description

This beautifully illustrated book is the first full-length critical study to focus on the watercolours of multitalented British artist and designer Eric Ravilious (1903-1942). Adopting the wide-ranging approach familiar to readers of his previous books on the artist, author James Russell explores the evolution of a remarkable talent.

An introductory section offers an intimate portrait of Ravilious, an artist for whom personal relationships, particularly with women, were paramount. It goes on to describe the extraordinary achievements of an all-too-brief career, drawing on new research to seek out artistic influences and examine Ravilious's relationships with fellow-artists, as well as the development of his mark making.

There follows the most comprehensive display of Ravilious watercolours yet assembled. Some have never been published, while others are familiar and well loved. Many are explored in short accompanying essays, some with full-bleed images that show details of paintings at full size. These texts are designed to entertain and enlighten, looking at composition, technique, influence and inspiration, or discussing the significance of particular subjects and the people behind the scenes.

This is the definitive guide to the luminous, evocative and timeless watercolours of Eric Ravilious, an artist now regarded as one of the finest of the twentieth century.

Author: James Russell
Publisher: Philip Wilson Publishers
Published: 05/31/2015
Pages: 184
Binding Type: Paperback
Weight: 2.45lbs
Size: 10.90h x 9.40w x 0.80d
ISBN13: 9781781300329
ISBN10: 1781300321
BISAC Categories:
- Art | Individual Artists | Artists' Books

About the Author
James Russell studied History at Pembroke College, Cambridge, but was galvanized into writing about art by a lengthy stint selling contemporary paintings and sculpture in Santa Fe, New Mexico. A passionate advocate of twentieth-century British painting and design, he writes and lectures widely. His books include the popular four-volume series Ravilious in Pictures, which was described by Country Life as 'a vivid portrait of the artist', as well as titles devoted to Edward Seago, Peggy Angus and Paul Nash.