Van Gogh and the Olive Groves

Combining deep focus with a multifaceted approach to reveal formal, technical, and spiritual aspects of the olive tree motif that dominated the painter's production during his time in a Provençal asylum​

Van Gogh and the Olive Groves reunites for the first time the important series of paintings that Vincent van Gogh (1853-90) dedicated to the motif of olive trees during his stay at the asylum of Saint-Rémy-de-Provence. The book contextualizes this work within Van Gogh's artistic production and explores its deeply personal, often religious resonance. It also features in-depth findings on the artist's technique, materials, and palette resulting from a three-year cross-disciplinary conservation science research project that rigorously examined all 15 paintings. Of particular interest are new discoveries concerning Van Gogh's use of unstable pigments, his application of paint en plein air versus in the studio, and the chronology of the series. Produced between June and December 1889, this bold and highly experimental series employs the motif as a constant in the artist's passionate investigation of the expressive powers of color, line, and subject. Painting the olive trees at different times of day and in different seasons was a quest to unlock their quintessential features, which to him represented the spirit of Provence.

Author: Nienke Bakker
Publisher: Dallas Museum of Art
Published: 11/02/2021
Pages: 216
Binding Type: Hardcover
Weight: 3.35lbs
Size: 11.20h x 10.20w x 1.00d
ISBN13: 9780300260076
ISBN10: 0300260075
BISAC Categories:
- Art | Individual Artists | Monographs
- Art | History | Modern (Late 19th Century to 1945)
- Art | Subjects & Themes | Landscapes & Seascapes

About the Author
Nienke Bakker is a senior curator of paintings at the Van Gogh Museum, Amsterdam. Nicole R. Myers is Barbara Thomas Lemmon Senior Curator of European Art at the Dallas Museum of Art.