When That Rough God Goes Riding: Listening to Van Morrison

Van Morrison, says Greil Marcus, remains a singer who can be compared to no other in the history of modern popular music. When Astral Weeks was released in 1968, it was largely ignored. When it was rereleased as a live album in 2009 it reached the top of the Billboard charts, a first for any Van Morrison recording. The wild swings in the music, mirroring the swings in Morrison's success and in people's appreciation (or lack of it) of his music, make Van Morrison one of the most perplexing and mysterious figures in popular modern music, and a perfect subject for the wise and insightful scrutiny of Greil Marcus, one of America's most dedicated cultural critics.

This book is Marcus's quest to understand Van Morrison's particular genius through the extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day. In these dislocations Marcus finds the singer on his own artistic quest precisely to reach some extreme musical threshold, the moments that are not enclosed by the will or the intention of the performer but which somehow emerge at the limits of the musician and his song.

Author: Greil Marcus
Publisher: PublicAffairs
Published: 04/05/2011
Pages: 208
Binding Type: Paperback
Weight: 0.45lbs
Size: 8.00h x 5.00w x 0.80d
ISBN13: 9781586489526
ISBN10: 1586489526
BISAC Categories:
- Music | History & Criticism | General

About the Author
Greil Marcus is the author of Bob Dylan by Greil Marcus, When that Rough God Goes Riding, The Shape of Things to Come, Mystery Train, Dead Elvis, In the Fascist Bathroom, Double Trouble, Like a Rolling Stone, and The Old Weird America; a twentieth anniversary edition of his book Lipstick Traces was published in 2009.

With Werner Sollors he is the editor of A New Literary History of America, published last year by Harvard University Press. Since 2000 he has taught at Princeton, Berkeley, Minnesota, and the New School in New York; his column Real Life Rock Top 10 appears regularly in the Believer. He has lectured at U Cal, Berkeley, The Whitney Museum of Art, and Princeton University. He lives in Berkeley.